Here is a man who, to X-Files and Millennium fans, requires no introduction. From day one of both series he has been composing some of the most powerful underscore music we could ever hope for. He’s used sounds in some of the moodiest, most atmospheric, and most frightening manners possible. That man is, of course, Mr. Mark Snow. You’ll find his name in the credits of every Millennium episode made. A powerful part of the Ten-Thirteen crew, Mr. Snow is the creator of the wailing violin sounds that are the very soul of Millennium’s onscreen presence. He’s given pa ... [Continua a leggere]

The Cool View Motel is not the kind of place you would expect to find outside the balmy, bustling activity of Los Angeles. A breeze rustles leaves belonging to a thick stand of trees nearby. The gravel lot shifts uncomfortably as the occasional truck rumbles over its skin. The decor is anything but trendy. The Cool View us a rustic stop somewhere in the middle of nondescript territory. Its only distinguishing feature on this mid-October evening is the remarkable sunset consuming the Western sky, an explosion of red hues that is the inadvertent result, a random passerby mentions ... [Continua a leggere]

Chris Carter, master of the X-mythos, keeper of the conspiracies, sounds quite pleased with his first cinematic X Files. “I am very pleased. I thought that The X Files translated wonderfully to the big screen,” he enthuses. “I thought the story worked. I thought the special effects were really nice, that they serviced the story well – you wouldn’t call this an FX-driven movie. I felt the scares were there. People jumped and they laughed and, hopefully, they were moved. It also sets up season six of The X Files beautifully. It did all I could ask of a ... [Continua a leggere]

After contributing one episode each for TXF seasons two and three, VG graduated to co-producer, writing five episodes for season four and six entries during season five. And he has already penned an early episode of season six. His 13 episodes made him, in the first five years of TXF, a collaborator behind the conspiracy. Soft Light, which aired May 5, 1995, told the story of a man whose shadow could kill by reducing matter into pure energy. “I wrote this one BEFORE I was on staff,” VG says, “and it was the one I had the least to do with. When I did my first dr ... [Continua a leggere]

Sotto i cieli plumbei di “X-files”, nel suo mondo popolato da ombre contorte e inquietanti, non poteva mancare Stephen King. O maglio. Lo scrittore più prolifico (35 romanzi, al ritmo di 500 parole al giorno), più pagato (riceve anticipi da 40 milioni di dollari), più tradotto sullo schermo (25 film) che memoria ricordi non poteva non sentire il richiamo di far vedere i sorci verdi a Scully e Mulder. Si dice infatti che sia stato lui a contattare Chris Carter, l’anno scorso, proponendogli un episodio con la sua firma. E pare che si sia divertito a tal pun ... [Continua a leggere]

Director Chris Carter may be busy giving a new look to his famous TV series in L.A., but he hasn’t forgotten his roots in Vancouver. The X-Files may have fled the rain but Chris Carter, the southern California-raised surfer dude turned pop-culture savant, has quietly donned his hipwaders for more wet nights in the city that gave The X-Files its dark, brooding look for five years. On Sunday, Carter’s most ambitious X-Files yet — an episode called Triangle, a loose amalgam of The Wizard of Oz, Alfred Hitchcock’s Rope and Casablanca revisited on acid — ... [Continua a leggere]

Where does a television show go when it’s coming off a summer that saw the release of a successful feature film, the relocation of production, and a whopping 16 Emmy Award nominations? Well, when you’re the X-Files, you keep on doing what you do best: Throwing curve balls to your audience while striving to reinvent yourself and raise the creative bar even higher. The X-Files is due for a shake up. After all, the series is entering its sixth season, a time in any show’s life span during which lethargy can set in and stories can become stale. But the series&rsquo ... [Continua a leggere]

Transcript from PA X-files site K/B: Kevin or Bean (can’t tell these guys apart on the show) LM: Lisa May (traffic girl/girl in the two-guys-and-a-girl formula used for any kind of show these days) CC: Chris Carter K: …people who haven’t met him, think a guy who writes all this, just, bizarre weirdness, is… He’s just, like, a — he’s just, like, a… easy-going… LM: …surfer dude… B: …surfer dude, yeah. K: Like, a nice, just a really nice — doesn’t want to upset any-anybody — kind of a gu ... [Continua a leggere]

You might say Keanu Reeves inspired the first stand alone episode of Season Six, the action packed “Drive.” “I sort of wanted to do our version of the Speed,” says writer Vince Gilligan. “[I wanted] something to do with people who couldn’t stop moving. I guess it speaks to how fast paces society is nowadays.” Fast paced is a good way to describe the episode, in which Mulder is taken hostage by a man who forces him at gun point to drive across the country. If the agent stops the car, the man dies. “I had this crazy teaser ... [Continua a leggere]

The reedy voice on the telephone, until now cheerful and friendly, suddenly cackles with familiar menace. “Kill me off for a few weeks?” it asks petulantly, referring to the events in “Redux II.” “Then I’m going to get revenge.” William B. Davis seems to enjoy playing off of his devious television persona. During interviews he frequently speaks in first person to describe the Cigarette Smoking Man’s machination, and his tone often drops conspiratorially when offering caustic asides about The Project. While it’s all done in go ... [Continua a leggere]

The X-Files Official Magazine: Congratulations on 16 Emmy Award Nominations. Spotnitz: All of us were really pleased and honored. It sounds trite, but it really is an honor. To get so many nominations in the fifth year of a television series is really gratifying and surprising. The X-Files Official Magazine: Did that help generate a positive atmosphere for the beginning of Season Six? Spotnitz: It sure did. The timing really could not have been better. The Emmy nominations were announced, and the very next day we had our first production meeting with our new crew in Los Angeles. I ... [Continua a leggere]

No one could have predicted that Spender, or the Cigarette-Smoking Man or even Skinner would don Nazi uniforms during Season Six, yet, that’s exactly what happened. Chris Carter’s imaginative narrative for his groundbreaking “real time” episode sends Mulder to the Bermuda Triangle where he boards a ship missing since 1939. On board, he encounters all the show’s characters — only they are not themselves but strangers from another era. The beautifully restored Queen Mary, which is also an operating hotel, provided the ideal location for the hist ... [Continua a leggere]

While driving down busy Southern California Streets, you might notice brightly colored sings sporting random nonsensical words affixed to the odd telephone poll. The markers are written in a secret code that only those well-versed in Industry Rhetoric can decipher-weird alien sounding abbreviations for film or television location shoots that transform neighborhood streets and store fronts into something more or less glamorous, depending on the day. Occasionally, between curses and head-shaking, grid locked drivers will glance across the street at the cardboard herald. But more ... [Continua a leggere]

Scully and Mulder have arrived on the big screen. A chance for Gillian Anderson (GA) and David Duchovny (DD) to talk openly, and to clear the air at last about the state of their relationship. The weather is gloomy over Los Angeles. And so is the security guard's mood as he stands at the entrance to Set 8 at the Fox Studios, where the X-Files is currently being filmed. He checks ID, passes... Inside, the closing credits roll. The doors open. GA and DD thank the technicians and welcome "TéléStar" for an exclusive interview. The series, the film, Mulder and Scully's relationship an ... [Continua a leggere]

Before Chris Carter makes any more X-Files movies, he’s going to make certain that his two television series are in good hands. There was speculation back in 1996, when 20th Century Fox formally announced that an X-Files feature film would be theatrically released two years later, that Carter, who wrote the screenplay in addition to overseeing both the X-Files and Millennium television series, was taking on more than any one man could handle. REVIEWS “I am dedicating myself to putting (‘Millennium’) back to a place where I think it can be.” It now ... [Continua a leggere]