Anasazi, questo secondo finale di stagione di X-Files, è uno degli episodi più amati dai fan. Non è difficile intuire perché: “Anasazi” è il nome di un’antica tribù e in lingua navajo significa “antichi alieni”; William Mulder viene assassinato e, per impedirgli di farsi giustizia, Scully dovrà sparare a Mulder; l’Uomo che Fuma si confronta con Mulder (che lo ribattezza “Gran bastardo dai polmoni marci”) in una telefonata che ci dà, come sempre, due versioni diverse dei fatti. Starà a ... [Continua a leggere]

Non è da tutti pensare "Se morirò, magari avrò le risposte che tanto cerco". Perché è questo il succo del discorso di Fox Mulder, immerso in una vasca in stato di incoscienza mentre cercano di salvargli la vita. Del resto, non è da tutti essere Fox Mulder: onesto, instancabile, sostenitore delle proprie convinzioni ma anche tanto intelligente da rivederle, se è il caso. Perché devoto alla propria causa, la verità. I pochi secondi di questa vicenda contengono l'essenza di X-Files e del suo successo: un uomo dalla fe ... [Continua a leggere]

"La certezza a volte diventa una consolazione che ti permette di andare avanti". Così il padre di Mulder spiega la decisione sua e della moglie di considerare morta la figlia Samantha, misteriosamente scomparsa molti anni prima. I ricordi di quel momento sono la più grande ossessione di Fox Mulder, e la ragione che lo ha spinto a diventare un agente dell'FBI specializzato in X-Files. Mulder sa cos'ha visto: una luce abbagliante, la casa invasa da una presenza aliena, secondi di panico e Samatha che spariva, rapita da alieni la cui esistenza, oggi, Mulder sa per certo essere vera ... [Continua a leggere]

La tradizione letteraria, cinematografica e televisiva sui rapimenti alieni è molto vasta. X-Files, che ne rappresenta una sorta di enciclopedia, sceglie di metterli in scena nella versione più sfruttata: bagliori di luce, coni luminosi che scendono dal cielo, interferenze con gli apparecchi elettrici, frammenti di ricordi di esperimenti scientifici da parte delle vittime, esseri umanoidi con grandi occhi neri e viso di forma allungata. Nella mitologia della serie di X-Files, Duane Barry è il personaggio-simbolo dei rapimenti alieni. Ancor più di Samantha, la ... [Continua a leggere]

Ci sono attori che rimangono indelebilmente legati a uno dei personaggi che interpretano, molto più che agli altri. Nicholas Lea è uno di loro: chiunque abbia amato X-Files, ogni volta che lo vedrà in una delle sue interpretazioni successive (come Dale Shannon in The Killing, Tom Foss in Kyle XY o l'agente Gardiner in Continuum), escalmerà: "Krycek!". Perché Alex Krycek, il personaggio che incontriamo in questo nuovo appuntamento con la storia di X-Files, è più di un avversario. È la nemesi di Mulder. Il subdolo bugiardo che si finge&nbs ... [Continua a leggere]

I’ve written about this idea before in specific relation to an earlier season two entry, “The Host,” but The X-Files strikes me as one of the most potent horror series in television history because it often deals at point-blank range with the underneath “sausage-making” of our industrial, technological, late-20th century culture. In terms of “The Host,” the entire episode spawned an uncomfortable awareness of what happens when you flush the toilet. Where does the waste go? What happens to it? How is it treated? How is it disposed? And finally, what ... [Continua a leggere]

If I were compiling my top ten list of X-Files episodes, the second season installment “F. Emasculata” would definitely make the cut. Not coincidentally, it would also take the number one slot for “most disgusting episode” of the long-lived sci-fi/horror series. In this episode, Mulder and Scully battle a deadly, incredibly contagious disease, and most not only stop its transmission, but make some tough choices about how much information the public has a right to know in times of an emergency. What makes this episode by Chris Carter and Howard Gordon such a visceral, ... [Continua a leggere]

An action-rich and suspenseful mythology story, the second season double-header of “Colony”/”End Game” suggests the inherent and indisputable movie potential of the X-Files franchise. Even today, twenty years later, one can screen these two episodes back-to-back and get caught up in the visual and emotional arcs of the Chris Carter/Frank Spotnitz tale Interestingly, I often encounter folks who claim not to like the The X-Files Mytharc stories, and complain that such tales are too complicated, or just too difficult to follow. That argument isn’t exactly air tight ... [Continua a leggere]

This second season episode of The X-Files (1993 – 2002) is one of the sharpest, most stunning social critiques in the entire catalog. In “Die Hand die Verletzt,” Mulder and Scully deal -- in storied New England -- with the Satanist equivalent of “Cafeteria Catholics,” religious practitioners who pick and choose which edicts and dogma they want to believe in, and ignore the rest. But when you’re dealing with the Devil himself, it’s dangerous to break faith, as the episode suggests in no uncertain terms. “Die Hand die Verletzt’s” bri ... [Continua a leggere]

Chris Carter presents one of the darkest and most disturbing The X-Files episodes of the entire series catalog with his terrifying and relentless second season entry, “Irresistible.” Leaving behind the expected “fantasy” elements of the series such as aliens and monsters-of-the-week, the series creator, aided by director David Nutter, instead provides here a glimpse of the ultimate and most fearsome mystery: human evil. As a creative and intellectual series, The X-Files is a very Gothic enterprise. By and large, it concerns a voice of rationality and a voice of romanc ... [Continua a leggere]

“One Breath” vividly diagrams the boundaries separating life from death, as well as Dana Scully’s “near death experience” at the shore-line between those states of existence. Gratifyingly, the episode provides resonant visuals to embody this strange “border land.” Indeed, many of the episode’s images -- from the opening scene involving Scully’s childhood, to her journey to a long, white tunnel of memory -- prove unforgettable. This episode from early in The X-Files’ second season also continues to chart Mulder’s emotional and ... [Continua a leggere]

The second season episode “3” has never been particularly well-regarded by fans of The X-Files, and there are reasons that support this point-of-view. For instance, this is an episode where Mulder works alone, and Scully is nowhere to be found, thus flouting conventional formula. And, shippers may be disappointed or angry because Mulder experiences a sexual liaison with a woman in the story who is not Scully. Indeed a certain percentage of the hostility aimed at “3” apparently revolves around Mulder having intimate relations with another woman. Some fans consider thi ... [Continua a leggere]

The X-Files first great two-part episode, “Duane Barry”/”Ascension” plays a lot like a 1990s action thriller, with a tense opening act involving a hostage negotiation, and a final act that gets down to business with picturesque locations, and impressive physical stunts. That description, however, only begins to scratch the surface of this two-part epic, a legitimate X-Files classic. This is also the story-line, for instance, that forwards significantly the series’ ongoing subplot about alien abduction (first introduced in the pilot), and ends on a cliffhanger in ... [Continua a leggere]

When I reviewed “The Erlenmeyer Flask” a few weeks ago, I discussed the notion of the alien corpse or “wellspring” as a kind of Pandora’s Box. Use of the alien corpse’s DNA in scientific experimentation would mean -- in the universe of The X-Files --a brave new world, one with infinite variations, and infinite capacity for good and evil applications. Chris Carter’s episode “The Host” also involves, at least implicitly, a Pandora’s Box of another brand. In “The Host,” Mulder and Scully investigate a strange mutant spawned ... [Continua a leggere]

The X-Files goes big and deep with its second season premiere, “Little Green Men,” which aired on Fox television September 16, 1994. The story, by James Wong and Glen Morgan, concerns an existential crisis for Mulder. Without the X-Files as an overriding purpose, he has difficulty holding on to and maintaining his belief system. Mulder’s crisis of faith is played out in “Little Green Men” on a much bigger scale than many season one episodes of The X-Files, suggesting a budgetary boost, perhaps. Whereas many X-Files episodes of the first season were contained in ... [Continua a leggere]