“Squeeze” is The X-Files (1993 – 2002) first “monster-of-the-week” installment. As such, it represents a template for future entries such as “2Shy,” “Teliko,” “Hungry,” and “Alone.” Most of these monster-of-the-week-styled outings deal with a murderous genetic mutation of one type or another, but one who -- out of some biological deficiency -- kills human beings in order to survive. This mutant pinpoints in the human physiology, then, the key to controlling its own existence and satisfying that aforementioned defici ... [Continua a leggere]
Archivio Stampa John Kenneth Muir's Reflections on Cult Movies and Classic TV (USA)
The X-Files first episode, “Pilot” written by Chris Carter and directed by Robert Mandel, remains a strong introduction to this classic horror/sci-fi series. The inaugural installment not only presents an intriguing mystery and introduces audiences to engaging characters caught up in life-changing events, it also presents a first and ominous peek at the dark forces aligned against the protagonists, and against “the truth” itself. But even better, the X-Files “Pilot” is skillful in the manner by which it deploys (and co-opts) horror imagery or symbolism. I a ... [Continua a leggere]
If you boast any familiarity with my blog, you probably already know that -- across the last five years -- I have written frequently abut the TV and film productions of Chris Carter and Ten Thirteen Productions.There are many reasons why I find myself continually drawn back to Carter's oeuvre. In broad terms, these reasons involve television history, the artistry of the particular programs, philosophy, and of course, personal taste.Historically speaking, The X-Files and Millennium have grown virtually synonymous with the decade of the 1990s. Carter's programs captured the Zeitgeist of that epo ... [Continua a leggere]
Belief isn't easy to come by these days. But - despite most reviews - I still believe in The X-Files. Perhaps the biggest problem with this new film (sub-titled I Want to Believe) arises not from the stars (or the production itself), but from ourselves, and -- specifically -- our expectations. Based on the savage reviews proliferating on the web and in print, audiences and critics apparently desired a Wrath of Khan, when what they actually get is...The Search for Spock. In other words, X-Files: I Want to Believe is a more intimate, cerebral adventure than it is a "big event" summer movie. T ... [Continua a leggere]