Five years ago, a 24-year-old Gillian Anderson walked onto the set of The X-Files a virtual unknown. Series creator Chris Carter had fought to cast the diminutive unemployed actress, managing to convince Fox execs her persona was right for that of no-nonsense FBI agent Dana Scully. From Day One, she was second banana to the more experienced, better-paid David Duchovny as agent Fox Mulder. All that has changed. No longer the sidekick, Gillian (pronounced "Jillian") Anderson has watched her popularity propel her to the top tier of her profession, financially and artistically. Now, she says, sh ... [Continua a leggere]

HOLLYWOOD (Variety) – “The X-Files”‘ creator Chris Carter has signed a production deal with 20th Century Fox TV, which sources said was worth $25-$30 million over five years. The exclusive pact includes a first-look feature component and calls for him to develop at least one new series for Fox Broadcasting Co. next fall. He will remain as executive producer of “The X-Files” for at least two more seasons and “Millennium” for at least one more, while he develops new projects for Fox under his Ten Thirteen Prods. banner. In valuing the ... [Continua a leggere]

TVGEN: Welcome to the TVGEN/Yahoo! Chat Auditorium. Our guest tonight is X-Files: Fight the Future’s co-executive producer, Frank Spotnitz. Frank has written over 13 X-Files episodes and served as co-executive producer on the first season of Millennium. Here we go folks! Welcome Frank! Frank Spotnitz: I am very excited that the movie is about to be released, and very happy to be addressing the online fans of the show, because they’ve been so important in building the success of the show, and now, hopefully, the movie. Blondguy2cute: Why do you think the X-Fil ... [Continua a leggere]

There goes that rainy day feeling again. And here comes the sun. As “The X-Files” moves into its sixth season, the Truth Is no longer Out There in dark and rainy Vancouver, the drama’s home base since its 1993 premiere. Series creator and executive producer Chris Carter, stars David Duchovny and Gillian Anderson and select crew members have all migrated from Canada to sunny Los Angeles, and are deep into production on new episodes. But don’t expect Fox Mulder and Dana Scully, the two FBI agents portrayed by Duchovny and Anderson who hunt down aliens, cons ... [Continua a leggere]

Ormai sembra proprio che non ci siano più dubbi, il programma televisivo che identificherà questa fine di millennio sarà The X-files. Scongiurato il pericolo che la serie finisse quest’anno, i due protagonisti David Duchovny e Gillian Anderson hanno firmato un contratto che li lega al serial dell’occulto per altre due stagioni, senza dimenticare il film tratto dalle loro avventure televisive, titolo provvisorio Fight the Future, che uscirà in Italia dopo le vacanze estive. David ha tra l’altro vinto la sua battaglia con la casa di produzione per s ... [Continua a leggere]

In January 1995, Glen Morgan and James Wong, excited about the new show they were going to create for Fox, called Space: Above and Beyond, bid farewell to The X-Files. Although their contract called for them to return to the X-Files if Space was not picked up or was cancelled, they anticipated never returning to the show that had brought them a certain amount of fame, thanks to pivotal episodes like “Squeeze,” “Beyond the Sea,” “E.B.E.,” “Little Green Men,” and “One Breath,” and the creation of many characters – in ... [Continua a leggere]

HOLLYWOOD — For a moment, Gillian Anderson seems stunned. She has had two hours’ sleep. She has walked into the Hollywood dance zoo known as The Derby, a glorified jungle pit tucked away off Los Feliz Boulevard, to say hi to her good friend and mentor Chris Carter. Carter is sitting, Buddha-like, in a red armchair, patiently answering the questions of legions of reporters who have descended like flies at a barbeque. Anderson slips through the crowd, for one oh-so-brief moment virtually unnoticed by the hundreds of sweaty, noisy, anxious TV critics, TV fans, TV actors ... [Continua a leggere]

It's a Golden Globe. Not a weighty one, like the statues for best drama, best actress and best actor hauled in during this year's X-Files takeover, but a gold-plated key-chain reproduction that comes gift-wrapped in a Tiffany's box and is purchased by idly rich knickknack buffs or Fox executives flush with the show's success and hellbent on sustaining a little momentum. The trinket rests in its container, which sits in David Duchovny's tidy Airstream trailer on the X-Files set. Duchovny surveys the tchotchke for a moment and then reads the accompanying card. "Dear David," he says. "We're prou ... [Continua a leggere]

To every generation, there is a televisionary. First, Rod Serling enfolded a still innocent America in The Twilight Zone; then Gene Roddenberry launched the country, disguised as the multicultural Enterprise, on a voyage in Star Trek; David Lynch led audiences away from cosmopolis and back to the suddenly unfamiliar heartland of Twin Peaks. Today’s seer is Chris Carter, 39, creator of The X-Files, a show that takes America’s obsession with the occult and coverups, with truths impossible to ignore but too terrible to be told, and transforms that paranoia into a compe ... [Continua a leggere]

Signs on The X-Files first showed signs of going south during the preparations of the fourth season when creator and executive producer Chris Carter began to devote most of his time to launching his new show, Millennium. Eager to shake off his one-hit-wonder potential (the ghost of Gene Roddenberry looming large in his eyes), Carter virtually handed The X-Files over to first season veteran Howard Gordon, despite the fact that the show had already lost Emmy award-winning cinematographer John S. Bartley, visual effects supervisor Mat Beck and writer Darin Morgan at the end of se ... [Continua a leggere]

Rolling Stone: How would you feel watching the show if it hadn’t turned those corners and you had backed away from it? Chris Carter: I would be sad. But I mean I’m sad that in syndication they’re going to edit out one-and-a-half to 2 minutes of each episode. It’s a shame. I mean, we’ve worked hard to pack in as much as we can, and everything needs to be there in those 43-odd minutes. To get two minutes out of a picture that’s just right — that’s a lot. RS: Is “Surfing” [magazine] where you developed your taste for bookin ... [Continua a leggere]

You’d think that people who spend their time dreaming up conspiracies would have beards and wave their hands a lot when they talk. Chris Carter is placid, handsome, clean-shaven. He pauses to find the right words — the breaks can sometimes last a few seconds — and when he talks again, the words are the correct ones. It’s as though he’s rewriting as he speaks, running a kind of mental thesaurus program. “Right now I’m reading about these things called peak experiences or peak moments,” he says, speaking of future X-Files plots. &ldquo ... [Continua a leggere]

Being kept in the dark between seasons is nothing new to viewers of The X-Files. But next year, they’ll have to move their curiosity into darkened movie theatres. A cliffhanger set up by the final episode of the 1997-98 season will continue in the first X-Files feature film, to be released a month or so later, says Chris Carter, creator and executive-producer of the sublime scare series. He’s hesitant to talk much about the summer ’98 movie, lest he give away plot turns in the TV episodes to air between now and then. Carter’s shows are both blessed and d ... [Continua a leggere]

Mark Snow's status as one of today's most innovative and successful film and television composers is only the latest element of a far-reaching and eclectic career in music. While Snow is perhaps best known for his theme and scores for The X-Files and Millennium, this Juilliard-trained musician's career has encompassed lush orchestral scoring, album production, classical performance, and five years as a co-founder of the legendary New York Rock N' Roll Ensemble (a band he formed in the late '60s with Juilliard roommate Michael Kamen, himself a much in-demand producer, studio musician, c ... [Continua a leggere]

PEOPLE: Hi Chris! Our first question is from New Jersey… Chris? Just type! We can see yr response. Geoff Gould: The Jersey Devil is a completely different entity (feel free to e-mail me and I can send you its complete legend). Also, regarding the “Newark Fluke” episode: there is *no* “Newark County” or “North Orange.” We have Essex County (in which there is the city of Newark) and Orange and the East and West Oranges. Everything but North Orange. Apart from those inaccurate episodes: I love the show and in the TVZONE I scribe its episode ... [Continua a leggere]