We chat to Bryan Fuller about Hannibal, emulsifying human eyeballs, Lucifer, and elegant vs. exploitation horror…
I have a confession to make. Not one that reflects well on me, but one that bears airing as proof that Hannibal’s Bryan Fuller is a gentleman, a scholar, and - why not - an acrobat. In the window of Covent Garden’s The Hospital Club, the chic venue for our chat with Star Trek: Voyager, Dead Like Me, Wonderfalls, and Pushing Daisies writer Bryan Fuller, is a sculpture called Gold Digga. A pair of gilded deer antlers atop a glittery Mondrian painting, it’s a piece about the commodification of art, but to someone – me – fresh from watching episode one of Hannibal, i ... [Continua a leggere]